7. One Day At Yashraj
It was February 2011 ..
I had just come back from Ladakh from the shoot of my first
film as assistant director. It was great experience and again I wasn’t given
much money for it. Merely 13000 were given and I didn’t mind because I got the
chance to visit Ladakh and become chief Assistant Director. I was clueless what to do next. I was looking
for some work. Saini, the art director from Soundtrack who gave me my first
work as art director and second work overall in Mumbai, was not going to take
me back I assumed as I had left the movie in between but he did call me for a
day on the sets of soundtrack when I called him back for work, but the
experience of one day was so terrible that then I myself never went back. I
hated being in the team of art directors. Assistant art directors (male) are
like dogs and anyone can scold them on set and say anything and for the sake of
job they have to tolerate it. They are advised to listen to everyone without
uttering anything. I will tell you about my art direction experiences later.
Senior assistant art guys could reply to Assistant directors but I was new and
I was told to listen to everyone and anything that is being said. I was getting
fed up of the disrespected way art directors were treated on sets. I had
decided that I will never do art direction work ever. Another motivation of
mine never to work in art direction was that Saini only gave me 10000 rupees
that too after so much insistence, though I was promised 80,000 once. I know it
was too much and he might have just said it to me during my initial days with
him because he was impressed with me but I worked for nearly four months and all
I got was 10k. In between I also did three ad films for him for which he never
paid me anything. Saini didn’t give me money but he gave me the ample amount of
experience I needed to get more jobs later. Now, I wanted to be the one
commanding not the one commanded. But
that didn’t happen any sooner.
So, I was chasing this guy called Tanmay, chief Assistant
Director of the first film that I did in Mumbai. It was called ‘Love’ but at
that time it was called “Doors”. I would occasionally call him and ask him for
work and somehow I had this feeling that he didn’t like me. I had only vague
idea about what he used to do which few other on set have told me. He has
worked in Yashraj Films and continued to do so. The film we did together was
just a favor he was doing for the director, who was his friend and also
roommate. When I first met Tanmay he was asked by the producer of the film to
interview me for direction as few minutes earlier, producer had asked me what I
wanted to do in my life and though I was in production department I told him
that I wanted to be a director. Frankly at that time I had no idea what I
wanted to become. I have no clue what was going inside my head. Tanmay took me
to another room and asked me several questions.
“Have you watched Bergmen?”
“Yes” I had seen few.
“Have you seen films of Fellini”
“Yes” I had seen trailers of his films.
“Have you seen films of Gurudutt”
“Yes” none, I had seen none of his film.
“Have you seen films of Scorsese”
“yes” yeah all of them, in order of them getting made. I
loved him.
And the final interview question was –
“Have you seen films of Tarkovski”
And my answer was –
“Yes” I had watched three films of Tarkovski – Stalker,
Andrei Rublyev and Half of Solaris.
And I told him the name of the films of Tarkovski I had seen.
Surprisingly I had seen films of Tarkovski which most directors in Mumbai have
never even heard of. What I didn’t know at that time was that the director,
Abhineet and Tanmay were big fans of Tarkovski and their parameter for someone
to become a good director was to watch, analyze and understand Tarkovski.
“You are ready to become a director. Can you do clap ?”
“Yes”
“Have you done clap before ?”
“No”
“No worries, I will teach you.” He never taught me how to clap
which led to an embarrassing
incident after which I decided never to clap again
in my life, but I did.
But this is another story. Let’s digress to the story I was
about to tell you about my experience of
working for one day in the biggest
production house of the country.
Disclaimer : The experience was good but not great out of
the world thing.
So Tanmay called me one noon and asked me whether I could
fill in for one day as assistant director for a film called “Mere Brother ki
Dulhan” which stars Imraan Khan and Katrina Kaif. Thanks to the technology at
that time, he couldn’t see on phone but I was dancing with joy in my 180 sq ft.
room (yes, it was a room, not an apartment) hearing that and I pretended too
hard to sound normal. First it was Yashraj Films and second it was Katrina
Kaif, third I felt lucky that I got to work in Yashraj films so early in my life.
I was excited way too early for that. It was a disaster day for me as I
couldn’t sleep anymore.
But I was happy. I was so happy that I couldn’t sleep that
night. I was so high with adrenaline that I couldn’t sleep. Finally, I slept at
around two and woke up at Three. I was asked by Tanmay to be on set around 6. I
reached the place around 4:30 Am. It was still dark. I was so excited that I
reached one and half hour early. I felt like such an idiot. Any ways, the
location was near churchgate station so I went back to churchgate station and
drank tea and ate bun makhan and jam. I came back and still there was no one.
There were security guards in the nearby buildings and I confirmed from them
whether the name of the place I was in was right or not. It was right. It was
too early to call Tanmay to ask him whether he was coming or not. The only
thing I could do was wait. I didn’t want to do anything wrong the first day of
the dream job. I was also feeling sleepy as I hadn’t slept whole night. I
waited waited waited and around six, suddenly a paraphernalia of vanity vans,
trucks and cars surrounded the area in front of me. I was looking at the whole
commotion in the area in complete awe. The place which was five minutes earlier
was as dead as mummies of Egypt was now as alive as the website of Pornhub.
I was watching everyone doing something. Everyone seemed
really busy there, except me who was standing at one corner with his heavy bag
behind him and confusion on face. At that time, I had this tendency to take my
bag everywhere. I had no idea what to do there so I stood right at one corner
doing nothing and waiting for Tanmay who I thought would guide me about what to
do and what is my job here. I was told already that there was no pay or
credits. There was a breakfast section and some were having breakfast. I
decided since I am called there by someone from the crew so that makes me
eligible too for having the breakfast. I eat the breakfast as fast as I could
without chewing much. For some reason, I didn’t want anyone to see my having
breakfast, and the truth was no one cared. But I was really afraid eating the
breakfast, afraid of someone from the crew asking me whether I am part of the
crew to eat breakfast. Except Tanmay, I
realized no one must be knowing that I have come to work there. I was feeling
like Amitabh Bachchan in Don film when the only inspector who knows that he is
not Don dies and Amitabh Bachchan has to prove that he is not Don to everyone,
except my situation was opposite and Tanmay was still alive. Anyways, the
things were getting set around the place. I finished the breakfast. Took a
napkin and started strolling around and witnessing how a big production house
works. I was so engrossed in watching them work that I didn’t want to lose a
moment of that working. I threw the napkin after I rubbed my hands on the
ground.
Suddenly a voice comes from behind.
“Ye Napkin kisne dala hai yahan”
I casually turned behind to see two people.
One was a beautiful girl wearing some pajama kind of pants
and t-shirt and another was a man who looked like an actor himself, wearing
banadana on is head, cargos way down and off white T-shirt in the middle. The
girl was the Chief Assistant Director Karishma Kohli and the Director was Ali
Abbas Zafar.
They were looking at me in anger. I politely turned, picked
the dirty napkin I had threw few moments back and threw it back in the dustbin.
Inside I was terrified. Somehow I knew he was the director by the way he was
standing. I was already terrified and this had made me melt inside. My whole
excitement went down the drain. My first impression in the eyes of Director was
that this guy has no work ethics.
Finally, Tanmay came and I was so happy to see him like a
dog sees his owner after getting lost in the city. He was the only face I knew
in that whole crew. Tanmay told me that I have to look after crowd controlling.
He asked me to take a walkie talkie and then coordinate with other Ads. He was
quite helpful and caring that day. He asked me whether I ate breakfast or not
and I said no and then again ate breakfast. During Lunch, he took me to the
director’s Vanity van and I was got to eat good food there.
Will tell you later in another blog, what happened on the
shoot.
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